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Soundtracks
Singles
Collaborations

BLACK SANDS - ORIGINAL SOUNDTRACK

Press play to listen to the soundtrack of Black Sands (a.k.a Svörtu Sandar)
Under the player you can find more information about the soundtrack, as well as purchase links. 

LISTEN ON SPOTIFY
READ BLOG ARTICLE

LOST IN TIME & ÁRÓRA - PLANETARIUM SOUNDTRACKS

Composer Ragga Gisla and I wrote the soundtrack to two planetarium films for the Perlan Planetarium in Reykjavík They have now been released digitally and can be found on your favorite music store The albums open in Spotify.

PURCHASE ON ITUNES
LISTEN ON SPOTIFY
CONNECT ON SOUNDCLOUD
READ BLOG ARTICLE

RAISE THE BAR - ORIGINAL SOUNDTRACK

Press play to listen to the soundtrack of Raise The Bar.
Under the player you can find more information about the soundtrack, as well as purchase links. 

LISTEN ON SPOTIFY
READ BLOG ARTICLE

Collaborations

Collaboration albums and singles. Links open in Spotify. 

ÓLAFUR ARNALD

OLAFUR ARNALDS | FOR NOW I AM WINTER

CASE TV SERIES - SOUNDTRACK

Press play to listen to the soundtrack of CASE - a Netflix Original Series.
Under the player you can find more information about the soundtrack, as well as purchase links. 

LISTEN ON SPOTIFY
READ BLOG ARTICLE

ICELAND AURORA - I AM AURORA O.S.T.

Music from the Original Soundtrack of Iceland Aurora, a non-narrative time-lapse film which captures the mesmerising Aurora Borealis and the unique scenery of Iceland.

LISTEN ON SPOTIFY
PURCHASE ON ITUNES
CONNECT ON SOUNDCLOUD
READ BLOG ARTICLE

Advertising singles

I have been fortunate enough that some songs I have written for commercials have been popular enough merit a full version and release, some have even become very popular. Sometimes this has been an afterthought, sometimes deliberate. Here are various songs written and produced by me for commercials and advertising campaigns. The songs open in Spotify.

ADVERTISING AND TRAILERS

Since 2007 I've been writing and producing music for commercials, mostly here in Iceland, but also for international clients. As a producer, that is in my humble opinion the ultimate school of musicmaking, and I still love doing it. You get to work with almost all possible music styles, and infinite permutations thereof. You have to learn to work on crazy deadlines, cater to different tastes, and just make everything work, not just with the music, but with other people.  

I've been lucky enough to work with very talented collaborators, musicians, creatives and filmmakers.